‘Lina From Lima’ Toronto Review

Source Toronto Global Film Festival

Dir. Maria Paz Gonzalez. Chile, Argentina, Peru. 2019. 83 mins

There isn’t any shortage of migrant tales which follow figures relocating in search of an improved life. Far less in which individuals really realize that better life. A 35-year-old domestic worker in Chile comes to terms with the rupture from her former existence and identity in Peru, and takes the opportunity to reinvent herself as a free woman in this airy first feature from Maria Paz Gonzalez. It’s an engaging but story that is rather slight provided heft by way of a sensual central performance from Peruvian actress Magali Solier and sparkle by the fantasy musical sequences which are threaded in to the textile for the photo.

An engaging but instead small tale, offered heft by a sensual central performance from Peruvian actress Magali Solier

The juxtaposition of social realism and strikingly styled numbers that are musical be the element that will differentiate this image from other similarly themed material regarding the event circuit. Lina From Lima dips its toe in camp excess but pulls right back through the kitsch that is full of a film like Diamantino; as a result, it might probably lack the selling point that could persuade suppliers to take the plunge. The movie displays in TIFF Discovery having won two awards during the BACIFI Work with Progress competition in Buenos Aires, Argentina.

Lina (Solier) has, for the decade that is past worked as a maid for the affluent household in Chile. Every xmas, she travels back to spending some time with her son and extensive family in Peru. Her phone and also the windows made available from social media give her an ever present link with her home, nevertheless the undeniable fact that her son has obstructed her on Faceb k suggests that she has a tendency to micromanage, even from the distance. keep reading